Thursday, March 21, 2019

Infidelity in Othello Essays -- Othello essays

Infidelity in Othello Two important scenes in Othello be the Temptation scene (3.3) and the Willow scene (4.3). Although the topic of discussion in both scenes is infidelity, the two scenes contrast more than they compare. First, the setting is different in the two scenes. Most of the Temptation scene takes place outdoors, in a garden. The atmosphere is open but the conversation stifling. In this scene, Iago tricks Othello into believing Desdemona is chisel on him with Michael Cassio. In the Temptation scene, Iago conjures up images of infidelity in the creative appreciateer of Othello. Upon seeing Cassio leave the side of Desdemona, Iago looks on the scene with disdain. Unsuspecting Othello asks Iago what is wrong. Iago speaks of Cassios expiration as stealing away so guilty-like, /Seeing you coming (3.3.43-44). In this way, Iago plants his original seed of discord. Next, Desdemona beseeches Othello to reinstate Cassio. Angry at her persistence, he asks for some sentence alone. In this time alone, he scolds himself for his frustration. Yet Iago invades this time so he may sow more seeds of jealousy. Othello knows Iago to be honest, so when Iago seems disturbed at the relationship between Cassio and Desdemona, Othello becomes alert. Moreover, Iago continues by reminding Othello of Desdemonas deception of her father (3.3.233-235). At this lodge Othello begins to doubt the fidelity of his wife. Iago notes Othellos change saying, I see this hath a poor dashed your spirits (3.3.244). He says, I do not think but Desdemonas honest(3.3.258). But two lines later he professes, And yet, genius erring from itself-- (3.3.260). Then Othello begins a soliloquy expressing, This fellows Iago of exceeding honesty (... ...ons. The main(prenominal) topic of discussion is the same in both scenes. Yet the characters come the question in different ways. Furthermore, each scene has a manful character and a feminine character. Finally, the differences in passivity a nd aggressiveness transfigure from character to character. Works Cited and Consulted Bevington, David, ed. William Shakespeare Four Tragedies. New York Bantam Books, 1980. Ferguson, Francis. Two Worldviews iterate Each Other. Readings on The Tragedies. Ed. Clarice Pitt, Angela. Women in Shakespeares Tragedies. Readings on The Tragedies. Ed. Clarice Swisher. San Diego Greenhaven Press, 1996. Reprint from Shakespeares Women. N.p. n.p., 1981. Shakespeare, William. Othello. In The electric Shakespeare. Princeton University. 1996. http// No line nos.

No comments:

Post a Comment

Note: Only a member of this blog may post a comment.